So if you ever wanted to gain more control over the Warp Stabilizer Effect in After EFfects, check the tutorial here. This tutorial by Jorrit is typical in After Effects workflow, finding super clever solutions to get around the fact that everything in After Effects is a lone island. meaning that you cannot set a global gravity for all plugins and effects to respect, they have no logical idea about each other.Įxpanding that premise to what the Rotobrush tool in After Effects could be, by allowing you some degree of control over the segmentation boundary, allowing you to manually move it for problematic frames, or even translate the boundary to bezier splines to integrate better with traditional rotoscoping or other workflows. In fact we can probably extend that last statement to any component in After Effects where there are no logical stream connections from one building block to the next.Īs an example, gravity is a feature of Particular, and the Newton Physics engine, etc. This can be seen in Rotobrush, Warp Stabilizer, and the 3D Camera tracker, as they are almost complete islands in the After Effects workflow. Without sounding to “ranty” this bring up and interesting matter with After Effects, where the JDI (just do it features) are a fantastic addition, however they stop short of giving the user back control after they have processed.
#Warp stabilizer not working how to
In today’s tutorial you’ll learn how to convert stabilization from the Warp Stabilizer to regular After Effects keyframesīy replacing the footage that the After Effects Warp Stabilizer has processed with a new clip that has a black background with two white dots, you are then free to use the After Effects tracker to track the result.īy having keyframes you have some more control over the stabilization process by manipulating keyframes, or even key the stabilization effect on or off easily. As you continue through the After Effects CC training you will learn how to apply effects and transitions, track motion, stabilize video, and work within 3D. Finally, they used the 3D camera to build a “projector” that would project the footage onto the white plane, thus creating stabilized footage.Jorrit Schulte demonstrates how to get the Warp Stabilizer data out into After Effects keyframes with a clever technique that will work for generating position, rotation and scale and perspective keyframes for corner pin data.
#Warp stabilizer not working movie
They used Camera Mapping and a solid white plane to create a movie screen. The most likely reason is that the server is experiencing map issues which can be.
This allowed them to reconstruct the camera’s location and use that in After Effects. They weren’t able to use point tracking either, so they had to come up with another way to stabilize the footage.Īt the 3:00 mark in the behind-the-scenes video below, you will see how they used the Track Feature and Camera Solve options in Boujou to track the camera’s movement. Then they tried fixing the footage in mocha, but still had no success. When they took that swaying footage in After Effects and applied the warp stabilizer, nothing happened. Unfortunately, PVC is not very rigid so there was plenty of camera movement. If you’re running into problems of your clip becoming distorted and looking like Jello, I would recommend the following methods to try and clean it up. Your video borders framing will show Stabilize, Crop, Auto-scale. For the karate video, they built a new PVC rig that would keep the camera locked in position. By default, Warp Stabilizer chooses Smooth Motion 50, with a method of SubSpace Warp. It didn’t provide the ideal look, but it worked well enough. For the original Stop-Motion Parkour, they ran the footage through warp stabilizer.
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